Gallery: Helloween @ O2 Arena, Prague; 2025

I thought I knew what to expect from Helloween. I’d followed them through lineup changes, reunion tours, and every iteration of their increasingly elaborate stage shows. But standing in front of O2 Arena Prague on October 24th, watching album covers materialize into towering digital cathedrals behind the band, I realized this wasn’t just another anniversary tour. This was a statement. But more on that in the Helloween live review.

Maybe it was the screens that felt somehow alive instead of just decorative, or maybe it was watching Kiske and Deris trade lines during “King for a 1000 Years” like they’d been doing it all along. But somewhere between the pyro bursts and the sea of voices singing every word, I stopped analyzing and just… existed. For two hours, I was that same kid who believed Helloween could fix anything, only now I had a camera to prove it wasn’t just memory. It was magic. And forty years in, they’re still burning bright.

Andi Deris strikes his iconic pose as pyrotechnics erupt on both sides during “We Burn”, silhouetting him against an inferno of orange light. This wasn’t just spectacle for spectacle’s sake: it was Helloween reminding everyone why they’ve been setting stages ablaze for four decades. The energy was palpable, the heat very real.

The band’s signature jack-o’-lantern looms over the stage, eyes glowing red as sparks rain down on Helloween playing the final chords of the night in Prague. This is what Michael Kiske promised when he talked about their most ambitious production yet

From the side angle, you can see just how enormous this production truly was: the winged figure spreading across the screens, the sea of fans stretching back into darkness. Prague always shows up for Helloween, and the band responded in kind with a visual spectacle that made the O2 Arena feel comparatively intimate.

Behind the chaos and pyro, there’s this: seven members, seven gold plaques, and smiles that tell the real story of longevity. It’s a reminder that beneath all the spectacle, Helloween’s success is built on something tangible, something earned.

The two architects of the Helloween sound, side by side with their signature axes raised. Hansen’s orange Flying V and Weikath’s sharp-edged precision: this was the guitar tandem that wrote the blueprint for European power metal. Seeing them together again wasn’t just nostalgia; it was watching history refuse to stay archived.

Bathed in geometric stage light, Gerstner embodies the unsung hero role he’s quietly perfected. He’s the one covering three different guitarists’ styles across three decades of material, and he makes it look effortless.

Eyes closed, mic clutched, his trademark studded jacket catching the purple and blue stage wash—this is Kiske in his element. The intensity on his face tells you everything: this isn’t a victory lap, it’s a statement.

Hair flying, head down, completely locked into the groove. Grosskopf remains Helloween’s secret weapon. He’s the comic relief, the whirlwind of energy, the guy who never stops moving. But beneath all that showmanship is a bassist who’s been the rhythmic backbone of this band for forty years.

This was the moment that nearly made me drop my camera. The full scope of Helloween’s production rendered in blue and gold, with digital columns framing a massive rose window backdrop. When “King for a Thousand Years” began and both singers shared the mic beneath this cathedral of light, it felt like witnessing the impossible made real. Twenty years ago, this reunion seemed like fanfiction. Now it’s history.

Three distinct guitar voices, three different eras, one stage. The green wash of light makes them look almost otherworldly as they line up across the platform. This is the power of the reunion: not replacing the past with the present, but letting them coexist, letting all forty years breathe at once.

Seated on bar stools against a wall of faces, the two frontmen strip everything down for “In the Middle of a Heartbeat” flowing into “A Tale That Wasn’t Right.” It’s a rare breather in a power metal onslaught, proof that Helloween has always had heart beneath the steel. The crowd fell silent. You could hear every strum.

Stark black and white, concentric arcs framing the drum riser: this is Helloween’s production at its most cinematic. Dani Löble, reduced to shadow, becomes part of the architecture itself.

Backlit in teal, his white Flying V a stark contrast against the darkness, Weikath embodies the quiet precision that’s defined his playing for four decades. While others chase the spotlight, he chases the perfect tone, the perfect note. This shot captures that focus – a magician at work, surrounded by fog and conviction.

A sea of hands under Andi and Michael during Future World. Impressive stage visuals, high energy and a crowd any band could wish for – if this is the future Kai thought of four decades ago, I’m glad we’re living it.

The logo glows white-hot, flames shoot up on cue, and Hansen stands dead center like he’s conducting the inferno. This was the shot I was waiting for: the split second before fire, the calm at the eye of the storm. When “We Burn” hit, the stage lived up to its name.